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Christiane Eda-Pierre (born March 24, 1932) is a French lyric coloratura soprano of Martiniquan origin, who sang in a wide variety of roles, from baroque to contemporary works. == Life and career == Eda-Pierre was born in Fort-de-France, Martinique, and came to France to study at the Paris Conservatory, where she was a pupil of J. Decrais and Charles Panzéra. She graduated with honors in 1957. The same year, she made her professional debut in Nice, as Leïla in ''Les pêcheurs de perles''. She made her debut at the Opéra-Comique in 1958, as ''Lakmé'', at the Aix-en-Provence Festival in 1959, as Papagena in ''The Magic Flute'', and at the Palais Garnier in 1960, as ''Lucia di Lammermoor''. She sang there the standard lyric coloratura roles of the French and Italian repertories. She also won great acclaim in Mozart roles, especially Konstanze in ''The Abduction from the Seraglio'', as well as the Countess in ''Le nozze di Figaro'', Donna Anna and Elvira in ''Don Giovanni'', The Queen of the Night in ''The Magic Flute''. Eda-Pierre was much appreciated in French baroque opera, particularly the works of Jean-Philippe Rameau, including ''Les Indes galantes'', ''Zoroastre'', ''Les Boréades'', and ''Dardanus''. She was also very active on French Radio where she sang in little performed works, such as Rossini's ''Le siège de Corinthe'', Bellini's ''Il pirata'', Bizet's ''La jolie fille de Perth'', as well as Berlioz's ''Béatrice et Bénédict'' and ''Benvenuto Cellini''. She created many contemporary works, such as Capdeville's ''Les amants captifs'' (1973), Chaynes's ''Pour un monde noir'' (1979), and ''Erszebet'' (1983). In 1983 she also created the role of the Angel in Olivier Messiaen's ''Saint François d'Assise'', at the Opéra. Eda-Pierre also appeared to great acclaim internationally, including Lisbon, London, Wexford, Berlin, Hamburg, Vienna, Salzburg, Moscow, Chicago, and New York. She made her Metropolitan Opera debut in 1980 as Konstanze, and went on to sing other roles there: Antonia in ''Les contes d'Hoffmann'' and Gilda in ''Rigoletto''. She became a teacher at the Paris Conservatory in 1977, while continuing her career in opera and in concert. The possessor of a beautiful, rich and agile voice, which enabled her to succeed in a wide variety of roles, Eda-Pierre can be heard on several recordings, her three most famous being on the Philips label, as Konstanze in ''Abduction from the Seraglio'' and Teresa in ''Benvenuto Cellini'', both under Sir Colin Davis, and an album of arias from the French opéra-comiques of Grétry and Philidor, under Sir Neville Marriner. For the Bizet centenary in 1975 she participated in BBC studio recordings of ''La Jolie Fille de Perth'' and ''Le Docteur Miracle''. 抄文引用元・出典: フリー百科事典『 ウィキペディア（Wikipedia）』 ■ウィキペディアで「Christiane Eda-Pierre」の詳細全文を読む スポンサード リンク
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